Summary
Eiichiro Oda’sOne Piecehas been going from strength to strength in recent years, from the live action Netflix adaptation of the series, to the announcement of a new anime remake by WIT Studio, and finally, the end of the acclaimed Wano Country Arc. Now, the serieshas officially entered the Final Sagaof its epic narrative with the start of the Egghead Arc in the anime.
This was accompanied by an overhaul of its art and animation style which corrected some of the shortcomings that Toei Animation has been criticized for over the years. Such a development will be welcomed by those who prefer to experienceOne Piecethrough the medium of anime, but it also poses some intriguing questions about the future of the series now that it is being simulcast on Netflix. Is this amove by Toei Animation to drum up buzzfor the story’s climax, and tie it to the upcoming new anime adaptation?
The Many Issues Plaguing Toei’s One Piece
Due to the constraints imposed by theOne Pieceanime’s weekly release schedule, coupled with the constant challenge of staying behind the pace of the manga, Toei Animation chose toforgo the traditional option of anime fillerfor a different solution. For quite some time now, the anime’s pacing has been heavily weighed down by padded scenes in episodes, which serve to extend the run time while adapting only a chapter’s worth of content at a time when most other shows generally adapt two or three chapters per episode.
This adds up to a considerable portion of the series' actual run time, and consists of long reaction shots, an overt reliance on still frames and repeated sequences, shots that linger for too long, as well as bloated recap sections. In effect, the series has beendealing with these problems for over twodecades now, since the anime commenced airing only two years after the manga began serialization in Shueisha’s Weekly Shonen Jump.
All in all, this increased the length of the series far beyond the ideal number of episodes. In fact, the more exciting segments of animation in the series have grown sparser with each passing arc, and the amount of filler in between has only increased in volume. There have also been marked inconsistenciesbetween the art styles in the frames themselvesat some junctures, which contributes to growing fan disillusionment with the anime. Certain points in the anime can be quite exhausting to sit through due to the sheer amount of in-built filler which seriously diminishes the pacing and quality of the story.
A Fresh Start After Wano’s Success
By virtue of being on air for so long,One Piecehas also undergone a number of changes in its visual style, due to production schedules, the implementation of new technologies, and the shifting of tones between arcs. As such, there are several different eras of animation which make up the anime’s canon, with some viewed more favorably than others. For instance, the tail end of the Wano Country Arc saw major improvements in the visual style of the show — notwithstanding the padded scenes — due to the importance of nailing theon-screen debut of Luffy’s Gear 5 form.
The final fight between Luffy and Kaido during theclimax of the Raid on Onigashimawas one of the best sequences of animation from the show in recent times and also signified that Toei Animation had realized the pitfalls of their production strategy. Subsequently, the Egghead Arc has wiped the slate clean with a new aesthetic that uses lighter shading, softer linework, and is more consistent with the manga’s style. There are also far more moving frames in each episode, and the padding has also become less obvious. The scene involving the destruction of the Lulusia Kingdom deserves a special mention for how it elevates the tone of the source material, depicting the calamitous event in an even more grim and harrowing light.
However, it remains to be seen whether these upgrades to the anime will continue through the rest of the arc or be shelved after the first few episodes. So far, Egghead has also utilized more 3DCG animation than preceding arcs, which is fitting considering its Space Age-inspired retrofuturistic setting. This stylistic change has impartedthe cityscape of Egghead with more depthand visual weight, inviting viewers to immerse themselves within its many layers.
Netflix’s Involvement Is An Intriguing New Development
When discussing the changes to the anime and its new home on Netflix for global audiences, there is one elephant in the room which must be addressed.Since the Egghead arc will be releasingon the platform in tandem with its premiere on Japanese television, the production team may have more resources on hand if Netflix gets more involved. Moreover, the recently announced remake of the anime by WIT Studio titled “The One Piece,” is expected to be a full retelling of the manga’s source material, liberated from the excess fluff that has become ingrained into Toei Animation’s production process.
Essentially, this provides a fresh avenue for entrants to the series to experience Eiichiro Oda’s work in a way that captures the pacing of the manga, without being tied down by the issues of a weekly production schedule. The announcement was accompanied by some speculation on how this would affect the the original anime, in a manner similar to how the initialFullmetal Alchemistanime is now often overlooked due to the releaseof its more manga accurate successor,Fullmetal Alchemist: Brotherhood.
In short, the anime’s new art style could be a conscious choice to align with the production of the new adaptation of the series, so that it will fare better against it. Toei Animation’s take onOne Piece’sis not without its merits, but such highlights have been buried under the endless stream of filler they are sandwiched in between.Going forward, the only real solutionto these problems may be moving towards a seasonal schedule which many fans have been pushing for, but it may take some convincing for a show that has doggedly stuck to its guns for quite some time now.
